Artistic Disconnection

Are the artists disconnecting from the audience due to them being afraid for their own well-being, or is the audience pushing artists away by being too shy?

Are artists ruining art, or is it the audience?

“I think people have been obsessed with the wrong question, which is: How do we make people pay for music? What if we started asking: How do we let people pay for music?”

-Amanda Palmer (The Art of Asking, TED talks)

 

…..

Well think about it like this, who would support innovation? Let’s use the metal music community, those who find innovation and the latest Opeth album as absolute trash because it’s not heavy and it does not have any harsh vocals. I guess it isn’t the best example because Mikael Akerfeldt is a genius, but I’m sure Opeth lost some fans and gained others with that album. See the thing is, I think that if the band is not constantly changing then it just becomes stale.

I sometimes record things for fun alone because I composed them and like to remind myself sometimes that I do have some ideas that work and well it just makes me happy. But anyway, my music taste has gained some different influences and sounds, and the stuff that I play and compose for myself sometimes are just completely different. I could say that I grew creatively and broadened my horizon, and well it’s just a beautiful process. Just like my writing grew with time an ended up not needing to resort to using curse words to make jokes (despite that being a @*^!$!% great idea sometimes, especially in text with censorship).

 

Point is, everything changes and grows, and the moment something is meant to stay put because something forced it to, or because it was a conscious ac, it can become stale. That’s not like saying “OH I’M FORCING MYSELF TO WORK ON THIS DRAWING, IT’S NOT MEANT TO BE” no, dude. No. Discipline to deliver is not passion to create.

I’m talking about the creative process.

This, by the way, really relates to the teaching methods in many architecture schools (well it at least applies to mine). The criticism we get is more of a “ew, what’s that, it’s silly” and “do this” rather than, “since you’re going for this, this might work, and this aspect contradicts your idea”.

If someone makes a decision to make a point, it should not be changed; but rather helped and discussed. Especially in artistic expression. Architecture has its standards, and you really should be aware of mistakes you make, but that should not make you bind your creativity with realism. Mistakes of concept do not necessarily bring in scoffs of “what’s this” as if you’re expected to not know better, followed by a series of “point-lost” conversation, but should rather be understood, and they do not indicate technical mistakes. While composition basics are there for a reason, the breaking and ruination of such basics is what makes a point. It just all has to reflect in the logical rules. So if you are trying to break it, you should do it as best you can.

…..

I pretty much did digress for a while, but having read (and maybe even experienced) all of that, the point might be clear to you. The artist should not be doing something forced for the audience, because while the art is for the people, its delivery of its message via its flawed artist’s ideology is what makes it personal and allows people to connect to it, not its creative method; nobody connects to whether it’s water colors or crayons, they might like the medium, but the personal connection is not done through it (with some different cases of course). If the artist is able to express joy with a wailing instrument to make joy contrast brightly against it, it is doing its job well. It is able to express it. Thus, the audience does not have a say on how it should be, unless the artist wills it. Thus, when money-making pushes how you create music, it hinders the innovation and growth of that art, and could force a compromise out of the artist. Thus, we, the people, should understand that we are disconnecting ourselves from the artists by only wishing things to be done our way when they change styles.

That lack of understanding roles can call for a disconnection between the artists. I guess it is only when people understand why the artist does something, and what their part in the art is, would we be able to support it well enough even without pushing it into a money-making trend.

I have totally lost myself in my thoughts, and I don’t quite know where I have ended up. But I would say it is this:

You make people pay by making what they want without you (as the artist) being involved personally with the product, and you let them pay by making something that you soulfully feel, and them being attracted to your honest expression.

It is pretty flawed as a statement, but I think the general idea kinda makes sense there.

“But Saed, I pirate music”… That is irrelevant.

“But Saed, I don’t pay for my music, nobody makes me”… Yeah because they sell it to the radio stations you hear it on and since you listen to it, you’re helping the radio make money so they could (yep) buy another hit song for you to hear.

Am I right? Well I don’t know I’m probably wrong, it happens. But I enjoy the exploration of the idea in theory so that it would lead to different ideas and strategies later.

 

…. Yeah I think that says what I want it to say. That is how we are disconnected from the artist. They are only seen as people architecting (yes, you can use it as a verb; “to architect” is a real verb) what we need for our clubs and summers and our “chill-outs”, when they actually cater to the death of individual and emotional relationship to music. Music that does not make its point extremely obvious, like classical music, has an openness to it that allows people to imagine something along with the soundscapes, thus putting themselves in that piece, and they get connected to it mentally by having a piece of themselves (poetically speaking) in it. Kind of like reading books and picturing the characters in your own way.

Whether it’s good or bad is for you to decide for yourself. But the disconnection by blunt and impersonal design is there.

…..

Whose fault is it? Well it is partially us, because we support what we want, and maybe the greed of “make the song in this formula for money” people. Meh.

I just think it’s good to let your brain connect rather than take the easy way out by taking what you’re given.

…..

Cheer,

WCH

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About saedt

An immature empath, a music hobbyist, an architect, and a dreamer.

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