I just have to get these ideas out of my head.
If this was back in the day when people ransack a city and claim it in one way or another, I would understand, but there are universal and human laws that have been broken, it is just disgraceful to humanity. It is inhumane and unfair. Especially when people who fight back end up being called terrorists for wanting their homes back, since nobody else seems to serve justice. I try not to be biased to be honest, but it’s a horrible label, and it is not fair.
Sure people may say that it’s fine they can go anywhere, but would you really just leave your house if someone illegally just took it over? Oh “it is the past, people should move on”, but it’s still unfair and – well – quite rude to do it as the world watches. If you ask me Israel is gonna take over the whole land, and Palestine is just gonna be erased from the earth because nobody is doing anything, and it annoys me to no end really.While I do know that people will never give up because many are aware, but I have a hunch saying that it become an old wives’ tale. It’s just going to be like, “Tough luck Palestine, you lived there and cultivated and you were peaceful, but you got attacked and screwed over so there you go, no more home for you. Bye”.
Just like native Americans, slaughtered and made into nothing but a minority to barely be considered.
People would remember and see how they got called savages and terrorists for fighting back, and then just give them a holiday to try and compensate for the humiliation and torment the generations had to go through.
We now see, as the curtain swings to a violent halt, the death of a people, later to be brainwashed by ideologies. Bashed in the ribs over and over until something goes to the aggressor. After all the “progress” the “developed” countries have made, they still have not developed a sense of justice, but rather a sense of material; the physical violence to spread ideas have become violent shoving of ideologies and a game of laws, loopholes, and illogical justification attempts (that work) just so someone can do whatever they want in their rampant position.
Politics is a dirty game. Each is in it from their chair, high above like the gods they once condemned and mocked, playing their game of chess, completely oblivious to the world, hanging below; small and pixelated, as digits in a matrix, lacking a story, and running like a toy. They rattle and wriggle in their chairs, calling others weak and laughing at their silly misery, crying over their egos, breaking each other’s dolls. They do not care, they can merely get more toys to play with.
It is never about those below, it never was. It was only a plan on how the big picture gets better. What do they aim for? What is it they want? Why is it there? Why did it start? Is it entertainment? Is it self-righteousness? Is it nothing but a battle of egos? Is it that they believe it is right? Is it for population control? Is it just trying to maintain their positions in power? What is the point of it all? Is it just a strategic point for the big picture?
Just why is it that the massacres cannot be stopped? Why would nobody step in for humanity? This is just a matter of humanity now, and it is just a testament to how far we, as a race, have floated away from being civilized. Naive and idealistic, it is, I know; economy is everything now.
The chapter closes on another piece of “history”, lost forever in its once meaningful existence, until it was twisted to be seen as a host of death. So the rest of the world mourns and moves on to forget it, to maintain the order that runs it, afraid of their own demise due to the system falling apart; afraid of the fear created by the egos via the media, the fears that dictate how the fall of egos is a fall of the country, even if they never were needed in the first place, the fear must be instilled to keep them there. The people live a life devoid of meaning as they serve the greater purpose, and nothing else, not because they lack power, but because they are unaware of their ability, and the ease of twisting a human around by controlling his life source.
What freedom could they have if their definition of freedom is defined by the oppressor?
Just wanted to share this piece I’m making right now (which I’m pretty excited for! AH!) It just needs a lot of touches, additions, and a background. It just looks more menacing in the sketch, so I’m hoping to make it less “Large and cutsie” and more umm…. Threatening. But I doubt I can do that with Illustrator, I think I can Photoshop it later for a tougher feel, and I’ll post both versions here, too!
Oh, by the way it’s based on Poros from League of Legends, just so you know.
So I’ll just post leave these here.
Well, this is pretty much a lazy post I guess, I haven’t posted “on schedule” since I couldn’t really find much to talk about. To be honest, I did not want to talk about Gaza, because well this just isn’t the place for wars and that side of politics. Also I’m working on a “Poro Mother” piece, Poros being those adorable creatures from League of Legends, so we will see how it turns out, and I’ll post it here when it’s finished.
So I was having a discussion with a friend of mine, and I thought it was pretty interesting, he makes good points and so do I (I believe so), and I like talking to that friend, we have some nice discussions every now and then. So I’ll just post it because I like to have interesting ideas on here.
Thought you might find this interesting, it’s about art and well about what was “so great” about Andy Warhol (the guy who made a banana as a piece of art). It kinda relates to that sketch you found silly, but yeah, this is a really interesting read (these are all from a reddit thread btw):
[Quoting from a reddit thread]:
“For most of history, artist paint two kind of things: important things (portraits of kings, Washington crossing the Delaware River, etc) and pretty things (flowers, landscape, etc). Starting in the late 19th century, artists began question why can’t they paint whatever they want? Hence movements like Impressionism, Expressionism, Cubism, etc were born. Artists like Jackson Pollock took it to the extreme and created arts that consists entirely of splatters. Pop Artists like Andy Warhol felt they are taking it too far and wanted to create something non-traditional yet meaningful.”
“What “meaning” does 32 paintings of a soup can have? Isn’t it just masturbatory self-aggrandizement?”
“You can look at it as basically a parody of the commodification of art.
For most of history, paintings have been unique objects. Someone painted a painting, and that was the only instance of that painting, and you had to see it in its context. To see the paintings in the Sistine Chapel, you actually had to go to the Sistine Chapel and walk around with clergy in an enormous church, craning your head to the ceiling to see endless panoramas of the transcendant topics that were being passionately discussed there, and that context and location was part of its impact. Erotic paintings were commissioned by wealthy lords of their mistresses and partners and hung in their bedrooms or holiday houses as a major status symbol for their private enjoyment. Portraits of famous figures were hung in palaces and public buildings — for ordinary people, the only time you knew what the King or President looked like was when you went to a government building and saw his face 5 feet tall in a glamorous powerful portrait with dozens of other major figures, and that contributed to its impact and perception. Each artifact was unique, and most artifacts were made for a specific purpose in a specific context that contributed to your experience of it.
But in the 20th century, all of that changed. We entered what people call “the age of mechanical reproduction” — using machines, we can basically perfectly duplicate any image at will an infinite number of times, initially through film and colour printing, then TV, and now obviously we’re all armed with high-res cameras and internet connections 24/7. I could be walking through a field at 5AM, decide I want to see any painting on the planet, pull out a phone and be looking at it within 30 seconds. And this is how most people experience art — images in a book, images on a screen, reproduced prints, if they’re lucky maybe in a museum where it has become an attraction famous for its fame. But virtually never in its original context, and never as a unique one-of-a-kind object.
This changes not only the impact of art on us, but our attitudes towards art. Art becomes commodified — it wasn’t necessarily created as a commodity, but it becomes treated like one, we divorce it from its context and put them in the same context as a billion other artworks, just like products at a supermarket. If you go into a museum, many of the information cards introduce paintings or statues with their price, which is its value measured in the worth of other goods, equivocating Picasso’s La Reve with X number of bananas or Y number of shoes.
And that’s what Andy Warhol did literally: he took an image of a mundane commodity, mechanically reproduced it over and over again, put them all next to each other and called it art, because that’s how we treat art now. And in this way it’s more ‘artistically valid’ than traditional high art, because you’re actually viewing it in its intended context!”
“Or maybe he was having the biggest personal joke at the expense of art snobs ever in the history of the world.
… Or possibly both at the same time.”
I think some of the responses are dumber than a few of the worthless pieces of “art” displayed in lots of museums (I’m no artist, I don’t claim to be an expert, but appreciating beauty, creativity, ingenuity is not rocket science).
1. First of all the simple definition of art is, according to Oxford dictionary: The expression or application of human creative skill and imagination… (Focus on creative and imagination).
So when someone summarizes previous art as “For most of history, artist paint TWO kind of things: important things (portraits of kings, Washington crossing the Delaware River, etc) and pretty things (flowers, landscape, etc)” you can straight away tell that this guy is shit for creativity, imagination, history, ART, and brains, and skip whatever he writes next.
2. I sort of agree with the points others make in the next paragraphs, although the explanation sort of pitches an idea that artists no longer have options to create beautiful pieces. Although some artists do make creative stuff like:
3. Others are simply shit. The explanation made in the paragraphs only help/apply to Warhol’s concept (which is genius in my opinion), they simply don’t apply to things like these <clicky>. Compare that to this <clicky>
To make it more simple, if I ([bad] at art) can create a bad piece, and hire a pretentious philosopher/critic to write some crazy stuff about it, then make headlines about it, or if a 5 year old can create an abstract red line, then this is not art, and claiming that you are not looking at the context of it is simply lazy. Claiming that due to whatever modern technology or modern lifestyle or modern bla bla made you create such a thing is simply lazy. Here is a perfectly good example for that.
There is no art in laziness, it’s called being uncreative, unimaginative, not artistic.
It’s still another angle to look at art pieces: as part of a context rather than as a technical piece and you can’t deny that; whether you agree with its point or if you find it pretty is your opinion. But if it was in fact a conscious act to make people reconsider art, it sure as hell worked. You can say its lazy or whatever, but it did stir something in a society whether for being horribly silly or lazy (as you graciously put it) there is absolutely no need to do something spectacularly in order to be appreciated. So in the end it is only how you appreciate it.
The credibility of these people has absolutely nothing to do with it, they make good points and give you new ways of looking at things. So nitpicking at their words is well… silly really; I only posted their words because they brought a new idea to the table, which I tried to explain to you before: the context of art. Whether someone appreciates it is their own opinion.
You’re making this too complex for no reason, the idea of contextualism is there, everything can be appreciated in one way or another. I honestly don’t care what you personally find nice (no offense), I really just wanted you to see the other way of appreciating art.
That Joan Miro painting, it says it bridges “effortlessly bridging the transition between figurative and abstract art.” but I just don’t see how. But I did find this:
Miró worked with strategies such as automatic drawing (where the hand is allowed to move freely as an extension of the unconscious), Surrealism (which philosophically strove to reveal authentic thought through juxtaposing unexpected symbols and forms), Expressionism (which applies emotional subjectivity to evoke moods or ideas), and Color Field Painting (that meditated on combinations, and or fields of color symbology).
As for an interpretation of Miro’s Etoile Bleue the painting provides just enough information to stimulate the process of interpretation, but the same stimulation resists conclusions and continues to evoke questions.
Through the interpretive resistance of Miró’s artwork we are better able to witness our own processes of interpretation for what they are, reflections and projections of who we are—internally and as a community. And what we find is that who we are is just as unresolved as the image that we meditate upon.
So there you go, there is a way to appreciate it. The moment someone tells you that it sold for a bum-load of money, you try to understand why. Hell, if there was no google, and I wasn’t being lazy, I would have stared at it for a while, too, trying to find a way to appreciate it just because of this conversation. Man, maybe people do this for sport, I would have just stared at it for a long time doing nothing and saying it’s a lady floating to a door that represents the future or something, but yeah, due to its many different ways of interpretation, it just reflects the viewer.
Some could see a sinking ship and that woman is on it, some could see it as a silly scam and a joke, seeing the person buying it for millions as an idiot. Yet at the same time, maybe that buyer sees it as something else, maybe he’s high and sees it as something moving (emotionally or literally), maybe he sees its value as all the controversy that happened over it. Technical trash I know, but there IS a way to appreciate it, whether you do or not is your own opinion. Hell, if you think about it, it kind of reflected how cynical you are.
“There is no art in laziness, it’s called being uncreative, unimaginative, not artistic.”
Punk rock is uncreative if you’re into music, it’s literally just power chords, and is quite unimaginative in its lyrics because it wants to break free of the mold of society. It is pretty damn lazy when it comes to composition, too, if you listen to it. But it is music, and there are people who appreciate it.
Anyway, that’s an opinion, but that kind of painting could be taken as an impulsive expression or something, sure someone could try scamming due to the standards being set (hello music industry), but it could also be an honest expression.
This for example, is also not detailed at all, but look at how beautiful the lines are, and how they create a full image of a face with soft strokes. It’s an expression of beauty so it qualifies for art right?
But the technique? It’s just a few lines! Compare that to old paintings, it’s technically nothing, but that’s the beauty of it. It shows you exactly what our time is. It’s also not very imaginative, it’s just a woman’s face, is it creative? Well… not really what’s new in this one? It’s just a face.
My point is, every single thing can be appreciated in its own right. You see what you want to see in it. It’s a matter of opinion, and it reflects who you are.
Messing around with Adobe Illustrator a bit, thought this sort of “abstraction” of Quina from Final Fantasy IX would be nice on a t-shirt (without the background), or maybe with the shirt having one of the colors of the background… Or maybe the face on a black background.
Anyway… Here it is.
… I think you can click on it to enlarge it.